GAS Catfish McDaris, Featured Poet

Catfish McDaris is an aging New Mexican living near Milwaukee. He has four walls, a ceiling, heat, food, a woman, one cat, a daughter, a typing machine, and a mailbox. That’s enough for him. He writes for himself and sometimes he gets lucky and someone publishes his words. He remains his biggest fan. He’s been sliding in the shadows of the small press for 30 years. Catfish McDaris won the Thelonius Monk Award. His work is at the Special Archives Collection at Marquette University in Milwaukee, Wisconsin. He is listed in Wikipedia. His ancestors were related to Wilma Mankiller from the Cherokee Nation. He’s on vacation from selling wigs in a dangerous neighborhood in Milwaukee. Van Gogh and Catfish were both born in ’53 and Vincent died on his birthday July 29^th. Cat’s hometown is Clovis, New Mexico, Gauguin’s father and son were named Clovis.

The Man That Brought a Singing Fat Lady and a Violin to a Gunfight

Of all that is written I only love what is written in blood. Nietzsche

 

Surrounded by dead guardian angels

listening to: The Mephistopheles of

Los Angeles by Marilyn Manson

 

Warming hands and face above a hell

fire in a 55-gallon barrel dreaming of

dancing with a senorita in Guadalajara

 

Palm trees figs and dates in Damascus

driving Thunderbirds through a sequoia

and zebras and swallowtails in the Mojave

 

Shackled by my years, gravity sucking

my energy, the sky, and ceilings piss

on my head, the walls yawn in boredom,

Nobody laughs at the ugly mirror, guns

mean noise and chaos, death should be up

close and personal with a lovely serenade.

A Review of Tara Campbell’s " Political AF: A Rage Collection," by Heidi Blakeslee

If I could tie ex-president trump down one time and force him to listen to someone reading him a book, it would be this one.  This book addresses the grievances that have been building up for centuries in the US.  In fact, I would pay someone to sit there and read it to him over and over again until he can’t remember his latest Rush Limbaugh propaganda and mitigates some of his brain damage.

Even just the titles of the poetry and prose inside are astute and visceral.  Ones like “Vessel of the State,” and “Shut up and Dribble,” cut right through the conservative claptrap and get to the heart of what’s important about issues like reproductive rights and race.

“Political AF: A Rage Collection” is the book that you should give your relatives for the holidays.  Be bold and let the questions and discussions that flow from this book awaken the people who need it and comfort the ones who desperately need kinship in this time of social distancing.

Some of the poetry inside is set up to mirror the ridiculous bureaucracy that holds up the judicial system and the scams featured in fine print that no one ever reads.  “US Government Form BC-451: Form to Procure Permission to Purchase Birth Control,” absolutely skewers the double standard that exists for the 1% vs the 99%.  Campbell illustrates the terrifying truth of the real “deep state,” and its agenda for women’s bodies.  Make no mistake, if there is a deep state to be had, it is the white supremacist garbage-mongers who are at the source of current Republican ideology.  Like a criminal prosecutor, Campbell illustrates the sick illogic that permeates current evangelical radicalism. 

 Using her poem “In Contradiction to the Commander’s Standards and Wishes” as a compass, we see that she sets her sights for moving forward squarely where they should be, “on science/ in consideration with community standards and wishes/ based on faith/ in reason/ in empathy/ in data/ in compassion/ in knowledge/ in questioning/ in resistance.

Tara Campbell is a fierce, fierce voice that stands up to ultra-conservative fascist propaganda.  I know I will remember this book and refer back to it time and time again.

Published by Unlikely Books. Available on Amazon

www.taracampbell.com is a writer, teacher, Kimbilio Fellow, and fiction editor at Barrelhouse. She received her MFA from American University in 2019. Previous publication credits include SmokeLong Quarterly, Masters Review, Jellyfish Review, Booth, Strange Horizons, and CRAFT Literary. She's the author of a novel, TreeVolution, and three collections: Circe's Bicycle, Midnight at the Organporium, and Political AF: A Rage Collection.

Tara Campbell

Poetry Commentary by Beau Blue

Talk about poetry? Hmmmm. Today's poetry. On the streets,in bars and coffee houses? Slams? Private lists and forums, maybe some blogs as well? And I'll rail against the ink and paper monsters that won't wake up.

But first is an observation and a disappointment. I'm not crazy about this real short line craze. A line should be a breath of expression. Each line must invite the audience to the  next line or it fails to carry the weight of the poem. At least a foot is required. But a foot and a half is still pretty fast.

The more spoken, the more obvious the line. The line is treacherous if you ignore it. Each line must lead to the next and the next or the tongue tip trips. The journey stops.

Makes me wonder how the single word line smiths keep their audience past the exhaustion of racing toward the end of every phrase.

I can understand being bored with pentameter, nothing moves so 16th century as pentameter, but even jazz has riffs, poetry as pizzicato chops of stones? Will more messages get through? Only if the channel is set to cummings and only cummings does cummings well.

Meet Beau Blue, Poetry Columnist for GAS

 Beau Blue is an old man recluse living in the Santa Cruz Mountains in California. A systems engineer, he specialized in interfacing computers to machine tools and in networking computer systems. He came to the internet, known at the time as ARPAnet, when he worked with Ford Aerospace and Lockheed Missiles and Space Company in the eighties. 

In 1993 he helped start Cruzio Communications, one of the first commercial internet service providers in the USA. He became one of the first internet literary publishers that same year with the introduction of "The Hawk", an arts and literary ezine aimed at engineers and designers. 

He has been publishing Internet poetry since 1995 when he and Michael McNeilley co-edited 'ZeroCity', one of the first poetry Ezines in the country.

Along the way, during his systems design career, he became involved with San Francisco Bay Area musicians and started a band called the Captec Project, "Community of Artists Patronized by Technology". The band appeared in various clubs in the bay area, performing his poetry to fusion and hard rock blues music. The Captec group was well received and an album, "Human Tricks", was produced in 1980 to positive reviews. Blue moved on from the Captec Project's fusion sound to the Alibi Blues and the Back Alley Blues Bands during the mid-eighties.

Blue retired from systems design in 2002 and he began publishing poetry animations with the advent of his third excursion into Internet poetry publication with "Beau Blue Presents". In 2004 "Blue's Cruzio Cafe" came into being and the two publications became part of animatedpoets.com the following year. 

Nowadays, Blue hides in the forest and works at keeping animatedpoets.com a unique and viable addition to the internet poetry landscape. 

GAS Tali Cohen Shabtai, Featured Poet

 Tali Cohen Shabtai is from Jerusalem, Israel. She has three poetry books: "Purple Diluted in a Black’s Thick", (bilingual 2007), "Protest" (bilingual 2012) and "Nine Years From You" (2018).

Tali’s poems express spiritual and physical exile. She is studying her exile and freedom paradox. Her cosmopolitan vision is very obvious in her writings. She lived some years in Oslo, Norway and in the U.S.A.

Tali studied at the David Yellin College of Education for a bachelor's degree. She is a member of the Hebrew Writers Association and the Israeli Writers Association.

In 2014, Cohen Shabtai also participated in a Norwegian documentary about poets' lives called "The Last Bohemian"- "Den Siste Bohemien",and screened in the cinema in Scandinavia. 

By 2020, her fourth book of poetry will be published which will also be published in Norway. Her literary works have been translated into many languages as well.

I have to know the wage of text

For a poet, silence is an acceptable, even flattering response, 

claimed Sidonie-Gabrielle Colette.

Another claimed 

that the calm that is the history of silence 

is the poet's revenge.

Look, I walk around with a quill 

between my teeth

Some people have their sensory hearing absorbed into in the most unexpected organs, and some will qualify in silence, accordingly I have to know the wage 

of 

text —

Surely, the initial reaction in humans 

in their early lives is the voice, after

which everything else is a charade.

Tali will be featured in GAS 10, due out December 5th.

My Beloved Anti-Divas, Part 1: Patti Smith by Kevin Hibshman

Thought I'd kick things off by saluting a few of the women whose music has greatly affected my life.  One of the earliest was Patti Smith. So much has already been written about her. I own three separate biographies! I believe a film about her life was also in the works and possibly, a television series?  She was inducted into the Rock and Roll Hall of Fame in 2007. The French Ministry of Culture named her a Commander of the Ordre des Arts et des Lettres in 2005. She also won the National Book Award in 2010 for her memoir, Just Kids. 

      I'm certain almost anyone who would read this column is familiar with Smith in some way. She has recently released a series of three spoken-word Cd's with the Berlin-based band Soundwalk Collective. I'm not reviewing that series because I want to focus on the two seminal albums I personally believe EVERY rock music fan, every poet, every outsider and every female artist should own.  First, let's do a very brief run through of her history.

        Born in Chicago, 1946, Patti spent the first four years of her life in Philadelphia before her family moved to rural New Jersey. After failing in several dead-end jobs and getting pregnant but giving the child up for adoption, she fled to New York City in 1967. She immediately fell in with photographer Robert Mapplethorpe and a host of other artists and musicians, including poet Jim Carroll and actor/playwright Sam Shepard. Her incendiary spoken-word performances at St. Marks Poetry Project in New York in the early 70's drew acclaim and by 1974, the Patti Smith Group was formed. The band was signed to Arista Records and released their stunning debut: Horses in 1975.

        Horses was quite unlike any other record before its time. It was raw, the murky production actually enhancing the songs. Smith sang but spent equal time chanting and declaiming verse. On Horses,the songs are built into the poetry. On the other album I wish to talk about, Easter, the poems are built into the songs. It strikes me as ironic that on the cover of Horses, she has a visible light mustache and on the cover of Easter, she is flashing under arm hair.

 

        Horses, with its wild energy and Smith's animal yet intellectual presence foreshadowed punk, inspiring the kids that went on to form bands like The Sex Pistols and The Clash. The opening lines of the album: “Jesus died for somebody's sins, but not mine” set the tone for all of the hallucinatory imagery and sexual abandon that followed. The band paired a few classic rock tunes ( Van Morrison's “Gloria” and Chris Kenner's “Land of a Thousand Dances”) to Smith's often improvised rants to create a new musical form. 

        After that powerful public introduction and statement of purpose, Patti and the band released their second record, Radio Ethiopia in 1976. It was a commercial and critical flop, though fans will want to own it. To further complicate things, Smith fell from a stage, breaking vertebrae in her neck, while the band were opening for Bob Seger (!) in Tampa, Florida in 1977. The future of the band seemed uncertain. 

        All was not lost, however. In March, 1978, The Patti Smith Group delivered what would be their most commercially successful album, Easter. Produced by then-unknown Jimmy Iovine, the record featured Smith's only hit, Because The Night with music supplied by fellow New Jersey rocker, Bruce Springsteen. Iovine's tasteful production combined with a strong set of songs and Patti's regained commitment to her art, all made for a very spirited comeback. The key ingredient was Smith's voice. She let loose with a new strength and control that was intoxicating and would go on to inspire future female rockers including P.J. Harvey and Courtney Love. 

      Ever expanding on a multi-faceted career that's already spanned over four decades, Smith continues to inspire with her singular vision. She has helped redefine the boundaries of what is possible in rock music as well as exemplifying a new type of female performer. If you are not familiar with her recorded output, I highly recommend beginning with either of the aforementioned albums. You can always go back and score the rest later.

Meet Sylvia Van Nooten, Art Columnist for GAS

Sylvia Van Nooten is an asemic artist and visual poet but once she was a writer of fiction.  Way back in the late nineties she wrote a novel and it almost made it.  Jonathan Franzen’s agent read it and expressed interest, she sent some ideas for a rewrite.  But that novel-- titled Brain Music--which today sits in a cardboard box in Sylvia’s basement, got her started doing art because of writer’s block. Writer’s block, particularly for writer’s of fiction-without-a-strong-plot, heavy on the beautiful sentences, light on structure---well it’s exhausting.  Sylvia took time away from her novel to start playing with oil paints and pastels.  Eventually the writer’s block became permanent but the art continues, twenty plus years later.  

Without all the words and no need for strong plotting, art expresses (to be banal), whatever needs to be expressed.  In this painting, done on November 3^rd, 2020, is titled American Dissonance. The tension of that night had to be expressed.  

The next painting is about striving to find strength during these ever so difficult times and was completed several days after the election. It’s titled, Finding Source. The viewer is free to interpret the art anyway they feel.  Once Sylvia births a painting it is on its own, out in the world.

As an art columnist for GAS, Sylvia will be interviewing many of the artists she knows from social media.  They have all inspired her and encouraged her to carry on and they all have fascinating stories to tell about art and process and life.  

See more of Sylvia's work in GAS 9.