GAS Featured Writer: Kevin Zepper

 

Kevin Zepper is an instructor at a Minnesota State University Moorhead university. His most recent chapbook, The Shaman Said, was published February 2023. This is his fifth chapbook. He also has a book-length collection, Moonman. Zepper is part of the North Dakota and Minnesota chapters of Poetry Out Loud. When he’s not writing, he snaps photos, makes music, and acts.

Rorschach

 On rare occasions, I roll back my t-shirt sleeve, revealing my only tattoo on my upper left arm.  Old ink in the light of a new summer. When I bought it a lifetime ago, I wanted something permanent, a piece of art, an open red rose and a blue feather. Something…romantic. Someone inevitably asks what is it? What do you think it is, I ask back. An old college buddy believes it’s a bundle of marijuana, leaves dripping with THC. The goth kid with the jet hair and blue lipstick is convinced it’s a silhouette of the devil. A former teacher tells me it’s obviously a poinsettia with a blue spruce swag on one side. Obviously Christmas-y. A child with a temporary tattoo of a smiling sun on his forehead says that my tattoo is the crab nebula That’s what they learned about last week in science class. What remains is an ambiguous, bluish stamp, a hieroglyphic in permanent ink, a prompt to invite comment. Yet, I still see a hint of where the red used to be, recalling the sting of the needle.

GAS Featured Poet: Kevin Zepper

Kevin Zepper teaches at Minnesota State Univerity Moorhead in Moorhead, Minnesota. His booklength publication, Moonman, was published by Jules Poetry Playhouse Press in 2018. With four published chapbooks to his credit, a fifth is currently being circulated, The Shaman Said. In addition to writing, Zepper enjoys photography and acting.

English Department

Some folks refer to our department as the “little castle on the quad.” When students graduate, they have their photos taken in front of the English department because it looks “college-y,” sharply contrasting with the other buildings, which look like businesses or banking institutions.

From my office, I hear a student tour guide say “this is where all of the English classes are held, though it’s quiet most of the time.” After a pause they add, “they say it’s haunted. A janitor accidentally hung himself from a thick rope by the stage. They’ve had ghostbusters and paranormal types come here to see if they can make contact.” The guide chuckles and the prospects laugh and move on to the next department building. This is a rare day for me, cleaning up my office. I used to hang out in this building when I was a student when the ghostly haze of cigarette smoke hung in the hallways like vapor sheets and ideas making themselves visible without the aid of device. I am less here, my old haunt, guiding students online at home, a spirit in the machine. In the midst of all these self-truths, maybe a new myth needs to be spun in this quiet keep of stories. Maybe the one about the aged English teacher, who was found dead at his desk, grading 101 composition papers. But, they might see through this one…

 

Buffalo River Bend

Fishing from a steep bank on the Buffalo River, under an old elm. The best for shade and waiting for bites on the hook. Across from me, on the other shore, a painted turtle suns itself on a grey oak log over the water. I angle for the fish, watching for the bobber to twitch, bounce, then disappear into the green. The turtle dips its head, stretching its neck and nods once under the summer sky. A dark shell, drawing all the light and warmth to quell the cold blood. My skin, cool to the touch, like a stone or sunken log. The turtle finally sees me, and we lock into a monumental stare. The moment freezes. After apprehension, curiosity, then acknowledgement. The turtle tips from the log and kerplooshes into the deep pool of the bend. A daydream follows the momentary trail of bubbles away from my shady spot. The red and white bobber, solitary, unmoving in the river water, my thoughts swimming with a painted turtle.

Road Flowers

i.

As we cross the Colorado border into New Mexico, we see our first bundle of plastic flowers and an aluminum cross. They are on our right, in an emergency stopping area for semis with failing brakes. There is a steep drop on the other side of the sandy shoulder. There is a steep drop into the canyon between the banded mesas. As we continue through the pass, the curves in the road, and the high desert, we see more memorials as bountiful as the piñon and scrub oak. For us, it’s a graveyard we can really leave, markers sprouting from every hairpin turn, sheer drop, or somber arroyo. The perma-flowers weather well here, with shades of red everywhere: red for heart, passion, anger, fire, blood. The Historical marker near Ojo Caliente has a mound of memorials, including signs of fresh cut carnations and baby’s breath. On a plaque of plastic stone, in large letters reads, “unsolved murders.” It is here where we cross the border of accidents into the realm of the intentional. 

 ii.

 The feral flowers have broken through the asphalts’ cracks at rads edge. Along the old 52 bypass, some stretches show heavy growth between failing concrete and tar patchwork. The roots of the wild easily break through the diminished crust and hard scrabble. Groups of white daisies flourish, mustard plants wave from the roadside of the ditch. Near a corn field, a pair of sunflowers sway, bright hitchhikers hoping for a life to a space filled with bright family. Mixed flowers fill the torn pockets of civilization, florid defiance! At sundown a western breeze kicks up and the flowers gently bob and wave. This is their farewell dance before a return to darkness and the bowing of heads.