Showing posts with label Joe Kidd. Show all posts
Showing posts with label Joe Kidd. Show all posts

Sunday, July 4, 2021

MIDSUMMER by Glen Armstrong, reviewed by Joe Kidd

 

In today's modern arena, there are few poets that I have discovered, that can do what Glen Armstrong does with such ease and consistency.  That is, to observe what is normal, even mundane, and present it as an unexplored world.  Glen has a poet's talent that enables him to experience and translate his visions into colorful, surreal actual occurrences.  

This book plays with words.  They become shiny stones.  Armstrong writes in a comfortable and relaxed style.  Nothing to prove.  No ranting, no complaining, no diary entries here.  It's not about him, but it is all him.  We can tell that Glen is fascinated by what he sees, and not uptight about what he does.

What he does a lot of is connect images that are not normally connected.  Things that exist with things that do not exist.  The poems in this book are numbered,  not titled.  That is how it must be.  It would not suit the work to give it a preconceived point.   Example:


XX


the poets and folksingers

who weave their parallel universe

have never heard of you


no naked foot

hastens upon its wings


no face brightens

as your name is rescued from

muddled thoughts


yet you breathe

in and out

warm nothings


owing legend everything


free to slip through windows/bricks

pines/sleepy witnesses


saying nothing

maybe


they dream


staying nimble

saving your kisses for now


These poems are free of constraint, they are short, they are brilliant, they are unique.  Their language is captivating and alien.  The book is filled with lines like this:  


"but that largely imagined membrane/separating the night

from my own unseen depths/is thin"


"information the shadowy trees might have/can be coaxed with a feather"


"expose any aperture/and that other world/starts whispering"


"explosives and bugs/big enough for their own middle/initials"


The front cover of Midsummer is a photo of two empty lounge chairs facing the sea on the sand under a palm tree.  It tells me that Glen is on vacation here, he's got this thing.  After reading Glen Armstrong, I am drawn to the classics.  Yeats, Wilde, Keats, those are the poets who are equipped to follow.  I've been considering this review for a few months, not sure of an approach.  Most likely I have left some important facts out.  All I really want to do here is call on those who read poetry and understand poets, to call on Glen Armstrong.


Glen Armstrong holds an MFA in English from the University of Massachusetts Amherst and teaches writing at Oakland University in Rochester Michigan.  He edits a poetry journal called Cruel Garters.  His work has appeared in Poetry Northwest, Conduit, Cream City Review, and many others.


Reviewed by Joe Kidd (www.joekiddandsheilaburke.com)

for GAS: Poetry, Art, & Music



Thursday, November 19, 2020

Joe Kidd's "The Invisible Waterhole" Reviewed by Belinda Subraman



Joe Kidd is a musician, singer/songwriter, activist, philosopher and poet. He has a new book out called The Invisible Waterhole.  The title invokes the mystical and philosophical nature of the book.
Available HERE.
Joe is a seeker...and a finder.  The essence of each poem is his insight no matter the subject.  He's at the age when introspection reveals a deeper, fuller perspective and wisdom from the journey so far while acknowledging the constant battle with the human condition. From
Great Hunger:  "what I heard is not what was said/there was a pause, a promise/a silent message."  He ends the poem with the realization he is dealing with his own issues not necessarily at all what the speaker meant: "someone released us/(a stained document,/a soiled piece of cloth) / into the cold and burnt sky within."

He knows we all experience roughly the same things but in different order, different times, different cultures.  It really is all about how we interpret and internalize what our experiences have to offer. With his rich understanding it is not surprising that Joe has seminary training and a broad knowledge of spiritual traditions around the world.


Battle Well


EJECT the world beyond your skull

 light now stopping in its tracks

the high walls shattered, sheets of glass

 motionless, a scented form

called for nourishment and bliss

a circling tongue upon a door

a secret held between closed lips


REJECT the generated noise

the burning hum of violence

the vision of a turning blade

that sound of rumbling underground

 friends remembered in a womb

the birth of choice, clean and warm

 walking home on splintered bone


INJECT the fluid deep and dark

 where memory died a tragedy

the word not spoken, long asleep

 tried to touch, but could not reach

 that mask of love upon a face

 beyond a mirrored apparition

this fallen angel's shrunken head


A good place to end is with the blooming peace (and responsibility) of the last stanza of Solstice Part OneTonight I dive deep into eternal solace/at the center and the edge/of a universe that does not exist/ beyond a hearts command.


Since it's hard to mention Joe without mentioning Shelia, here's just a tiny portion of their accomplishments. "Joe & Sheila are 2 time recipients of the Detroit Music Award for Songwriter of the Year, Michigan Governor's Award, World Songwriters Award, 2019 Congressional Certificate from US House of Representatives, 2019 Clouzine Magazine Music Award for Best Acoustic Song, 2020 International Singer Songwriter Association Award for Vocal Duo of the Year.  Joe Kidd was inducted into the Michigan Rock & Roll Hall of Fame on June 1 2017.  Joe & Sheila have each published books of poetry, prose, and illustration."
http://www.joekiddandsheilaburke.com/bio