GAS: Poetry, Art and Music: Interview with RON WHITEHEAD presented by Merritt Waldon

Wednesday, April 14, 2021

Interview with RON WHITEHEAD presented by Merritt Waldon

photo by Yunier Ramirez

Poet, writer, editor, publisher, professor, scholar, activist Ron Whitehead is the author of 24 books and 34 albums. In 1994 he wrote the poem “Never Give Up” with His Holiness The Dalai Lama. In 1996 he produced the Official Hunter S. Thompson Tribute featuring Hunter, his mother Virginia, his son Juan, Johnny Depp, Warren Zevon, Douglas Brinkley, David Amram, Roxanne Pulitzer, and many more. Ron has produced thousands of events and festivals, including 24 & 48 & 72 & 90 hour non-stop music & poetry Insomniacthons,in Europe and the USA. He has presented thousands of readings, talks, and performances around the world. He has edited and published hundreds of titles including works by President Jimmy Carter, His Holiness The Dalai Lama, Seamus Heaney, Wendell Berry, Allen Ginsberg, Jack Kerouac, William S. Burroughs, Lawrence Ferlinghetti, Rita Dove, Diane di Prima, Bono, John Updike, Douglas Brinkley, Jim Carroll, Anne Waldman, Joy Harjo, Yoko Ono, Robert Hunter, Amiri Baraka, Hunter S. Thompson, and numerous others. The recipient of many awards, his work has been translated into 20 languages. In 2018 Louisville Mayor Greg Fischer presented Ron with a Lifetime Achievement for Work in The Arts Award. In 2019 Ron was named Kentucky’s Beat Poet Laureate and was also the first U.S. citizen to be named UNESCO’s Tartu City of Literature Writer-in-Residence. He is co-founder and Chief of Poetics for Gonzofest Louisville. Outlaw Poet: The Legend of Ron Whitehead movie will be released by Storm Generation Films/Dark Star TV in 2021.

photo by Clayton Luce

Merritt Waldon: Hello Ron, please tell me about yourself. Who is Ron Whitehead?

Ron Whitehead: Hello Merritt! I’m a wild nature Kentucky farm boy who loves adventuring into the unknown. I’ve been blessed that poetry, my main vehicle of communication, has taken me across the USA and to at least 20 countries around the world. I love to travel to new places and meet new people. I admire and respect all our beautiful differences. And I’m forever searching for and discovering what we have in common. We’re all dirty potatoes floating in the same tub of polluted water and the more we bang into each other by openly honestly sharing the stories of our lives the more we come clean. I love to hear the stories of people’s lives. I have friends everywhere. When I was a boy I learned that to have friends I’ve got to be a friend. If I’m friendly then most other folks will be friendly too.

MW: You lived in Iceland for 2 years. After climbing The Viking Mountain you wrote “The Storm Generation Manifesto.” What is it like in Iceland? How did you meet Olafur Gunnarsson?

RW: Iceland is majestic. It’s been 20 years since I lived there. But I’ve returned many times for performances and visits. In May 2008 Olafur Gunnarsson, Iceland’s most respected novelist, and I produced Iceland’s first Beat Generation Festival. We held the festival on his beautiful land, Storra Klopp, Big Rock, several miles outside Reykjavik. It was an amazing event. For 2 weeks I stayed in his guest house. Every time I stepped out my door I looked into the gorgeous valley with the crystal river and then across the valley to the legendary Viking Mountain. Olafur knows more than anyone I’ve ever met about the history of the Vikings, especially their history in Iceland. 3 days after the festival I solo climbed the mountain. When Olafur dropped me off at the base of the mountain he said, “Ron, be careful. I forgot to mention that several people have been blown off the top of the mountain to their deaths.” I stopped, turned and stared at him, then laughed. He said, “I’m serious.” I said, “Thanks for letting me know.” As I walked away light rain started to fall.

The higher I climbed the harder the rain fell.

Then the temperature dropped and the wind began to howl. The rain turned to hail. The hail turned to sleet. The sleet turned to thick snow. I continued to climb the now treacherous slope. I reached the summit and was nearly blown off the other side, which was straight down. I was staring down into the abyss the other folks had fallen into and died. I quickly turned and, crawling, pulled myself down behind a giant boulder. For 15 minutes I had a non-stop series of epiphanies. Then I stood up, faced the howling screaming north wind, uncorked my 1.5 liter bottle of red wine, which is all I had in my backpack, drained half of it, thanked the Norse Gods for finally accepting and embracing me. Then I made my descent.

Olafur and I had many way into the night conversations and with his inspired help, honoring all the previous cutting edge avant-garde generations and movements, which have helped us be here now, realizing we were being called upon to birth a new generation, “The Storm Generation Manifesto” was born.

In 2013 I became godfather to amazing Icelandic musicians, Tanya Lind and Marlon Pollock. The pagan ceremony, led by the High Priestess of Icelandic HIgh Paganism, was held way out in nature, at the base of the volcano that shut down all European air traffic in 2010. My partner Jinn Bug and I climbed The Viking Mountain. I did several performances on that trip. A Storm Generation Films crew accompanied us and captured incredible footage, some of which will be included in the Outlaw Poet film. Jinn and I hope to return to Iceland later this year.

MW: I watched the video of The Crystal River World Peace Sand Mandala Ceremony you did on the 2013 Iceland trip. How important to your poetics is the spiritual?

RW: I am spirit. I am matter. I am a spiritual warrior poet. The older I get the more I realize I don’t know anything, no one does. We’re all guessing, feeling our way, grappling for answers. But every day I have encounters with the spirit world. We are all in perpetual motion, in transition, even when we are still, silent, listening. Listening is the greatest art of all. Not-knowing is the fundamental plowed earth of our being, not-knowing. It is our life source. Embrace the wind. Embrace my heart. Born to die, there is no safety, all is demanded. Expose yourself completely. Accept the consequences of your successes, and your failures, as no other dare. Enlightened mind is not special, it is natural. Present yourself as you are, wise fool. Don’t hesitate, embrace mystery paradox uncertainty. Have courage. Through fear, and boredom, have faith. Be compassion. Embrace the wind. Embrace your heart. Not-knowing is the fundamental plowed earth of our being. It is our life source. Not-knowing.

Today ‘Specialization’ is sold on every corner, fed in every home, brainwashed into every student, every young person. We are told that the only way to succeed, here at the beginning of the 21st Century is to put all our time, energy, learning, and focus into one area, one field, one specialty: math, science, computer technology, business, government, the gaining of material wealth, the material world. If we don’t we will fail. We are subtly and forcefully, implicitly and explicitly, encouraged to deny the rest of who we are, our total self, selves, our holistic being. The postmodern brave new world resides inside the computer via The Web with only faint peripheral recognition to the person, the individual - and by extension the real global community, the real human being operating the machine. The idea of and belief in specialization as the only path, only possibility, has sped up the fragmentation, the alienation which began to grow rapidly within the individual, radically reshaping culture, over a century and a half ago with the birth of those Machiavellian revolutions in technology, industry, and war. And with the growing fracturing fragmentation and alienation comes the path – anger, fear, anxiety, angst, ennui, nihilism, depression, despair – that, for the person of action, leads to suicide. Unless, through our paradoxical leap of creative faith we engage ourselves in the belief, which can become a life mission that regardless of the consequences, we can, through our engagement, our actions, our loving life work, make the world a better, safer, friendlier place in which to live. Sound naive? What place does the antinomian voice, the voice that, though trembling, speaks out against The Powers That Be, what place does this Visionary Outsider Voice have in the real violent world in which we are immersed? Are we too desensitized to the violence, to the fact that in the past Century alone we have murdered over 160 million people in one war after another, to even think it worthwhile to consider the possibility of a less violent world? Are we too small, too insignificant to make any kind of difference? The power and greed mongers have control. What difference can one individual life possibly make, possibly matter?

Today the millennial generation is swollen with young people yearning to express the creative energies buried in their hearts, seeping from every pore of their beings. They ache to change to heal the world. Is it still possible? Is it too late? Is there anyone (a group?) left to show the way to be an example? To be a guide? A mentor? James Joyce, King of Modernism, said the idea of the hero was nothing but a damn lie that the primary motivating forces are passion and compassion. As late as 1984 people were laughing at George Orwell. Today, as we finally dwell in an Orwellian culture of simulation life on the screen landscape, can we remember passion and compassion or has the postmodern ironic satyric death in life game laugh killed both sperm and egg? Is there anywhere worth going from here? Is it any wonder that today’s youth have adopted Jack Kerouac, Allen Ginsberg, William S. Burroughs, Herbert Huncke, Gregory Corso, Neal Cassady, Lawrence Ferlinghetti, Amiri Baraka, David Amram, Diane di Prima, Bob Dylan, Hunter S. Thompson, Patti Smith, The Clash, and all the other Beat Generation and related poets, writers, artists, musicians as their inspirational, life-affirming antinomian ancestors? These are people who have stood up against unreasoning power/right/might, looked that power in the eyes and said NO I don’t agree with you and this is why. And they have spoken these words, not for money or for fame, but out of life’s deepest convictions, out of the belief that we, each one of us, no matter our skin color our economic status our political religious sexual preferences, all of us have the right to live to dream as we choose rather than as some supposed higher moral authority prescribes for us. I choose to be a spiritual warrior poet.

Can poetry, music, film, dance, art matter? Are they merely a gold exchange for the rich? The crucible of the alchemical arts blends the terrible beauty of the natural world with questions of global social conscience. Poems stories songs films dance photographs art defy categorization. They are authentic original expressions of spirit dwelling in dynamic harmony with nature.

What is involved in the process of artistic creation? And how is that process related to space and time? What makes it possible for a handful of poets, musicians, filmmakers, dancers, artists to maneuver in a molecular universe, where immersion at will into things and being other than self is readily accomplished, rather than the dreary chore of drudging through the thick cellular world? The answers are simply complex and like truth, time and water they constantly slip through fingers away, away but the past recalled becomes present again and in a sense when we look anywhere including back into the past we are looking with some form of anticipation which is an attribute of future time so where are we really? How do how will poets, writers, musicians, artists, filmmakers, photographers, inhabitors of the creative realms of the 21st Century respond to these questions? Some respond with ironic, comic faith, some with passion, with compassion, without which the intelligent sensitive creature will inevitably traverse the Valley of The Shadow of Death encountering Angst, Despair, Ennui, and possibly Suicide. The sensitive individual poet writer musician artist filmmaker photographer prophet, the empath whose natural ability is negative capability, ineluctably chooses the life-game quest of self-creation in the possibly infinite probability of possible realities in the self-contained inter-connected Ocean of Consciousness.

There are no answers, only questions.

My argument for The Ocean of Consciousness reaches back to the early experiential understanding of holy while reaching forward beyond the limits of dialectical gnosticism to an alchemy that also transcends divisions inherent in the alienation the fragmentation of Deep Modernism and the superficial chaos of postmodernism. Even if you are a cryptanalyst and are able to turn into plain text the coded messages of Lacan but also the utterances of French existentialists, deconstructionists, poststructuralists, and all the other sibilant schools that flowed out of postwar France what leads you to believe that the deadly serious egocentric humor of postmodernism where theory is lauded as more important than text (whatever text might be: book, song, painting, film, life, etc) can possibly be the final word? Deconstructing a text does not designify does not make the text less than what it was before you playfully surgically took it apart and, if you’re a good mechanic, put it back together again even if you gave it new features. No matter how much taking apart deconstructing you do there will always remain something, a meaningful essence that cannot be destroyed.

The poet writer musician filmmaker photographer dancer artist deconstructs realism. She employs the innovative technique of intercalation: the juxtaposition of scenes in time. She is Elus Cohen, Elect Priest of Expressionism, Cubism, Modernism, Dadaism, Surrealism, postmodernism but she is more. She is Master Alchemist, Master Magician. Her long slender hand reaches towards me, grabs my throat, and pulls me into the text, the book, the song, the art, the film, the photo, the dance. Manger du Livre indeed! I not only consume the book: the book consumes me. Now I, with her, am Elus Cohen juxtaposing scenes in time and space in her, in me. My original perception, awareness, and senses are fractured, fractalled, and exiting the poem, the song, the film, the dance, the art I find I am rearranged. I now have new perspective, awareness, senses. I look at others. Are their expressions different as they look at me? I must look different. I feel different. I am different. Me. And me now. I,I. Ha. Aha! Now as my hand moves this pen across this page I change. I am transformed. I am never the same. My molecules jump, sway, swoon, dance across the page, giggling, laughing, singing, happy to be new! It’s spring again! They shout Yes Yes Yes!!!

Poetry, music, film, dance, art create new resonant myths. Knowledge, from the inception of Modernism and through postmodernism to The Ocean of Consciousness, is reorganized, redefined through literature, music, art, film, photography. The genres are changing, the canons are exploding, as is culture. The mythopoetic the privileged sense of sight, of modern, contemporary, avant-garde poets, writers, musicians, filmmakers, photographers, dancers, artists are examples of art forms of a society, a culture, a civilization, a world, in which humanity lives, not securely in cities nor innocently in the country, but on the apocalyptic, simultaneous edge of a new realm of being and understanding. The mythopoet, female and male, returns to the role of prophet-seer by creating myths that resonate in the minds of readers, myths that speak with the authority of the ancient myths, myths that are gifts from the creative realms of being, gifts from the shadow.

MW: What does it mean to be an outlaw poet?

RW: "To live outside the law you must be honest."

--Bob Dylan, Outlaw Poet

"An outlaw can be defined as somebody who lives outside the law, beyond the law, not necessarily against it. By the time I wrote Hell's Angels I was riding with them and it was clear that it was no longer possible for me to go back and live within the law. There were a lot more outlaws than me. I was just a writer. I wasn't trying to be an outlaw writer. I never heard of the term, somebody else made it up. But we were all outside the law, Kerouac, Miller, Burroughs, Ginsberg, Kesey, me. I didn't have a gauge as to who was the worst outlaw. I just recognized my allies, my people."

--Hunter S. Thompson, Outlaw Writer

MW: As a Kentucky poet, what was the greatest moment in your life so far?

RW: Every moment of my life has been a gift, a treasure beyond measure. Without any one of those moments I would not be who and where I am today.

MW: If there was one thing you wanted to tell the world what would it be?

RW: Never Give Up

Never give up

No matter what is going on

Never give up

Develop the heart

Too much energy in the world

is spent developing the mind

instead of the heart