Friday, February 6, 2026

"For We Who Love Our Critters," essay by Su Zi



Su Zi is a writer, poet and essayist who produces a handmade chapbook series called Red Mare. She has been a contributor to GAS from back when it was called Gypsy Art Show, more than a decade ago.

               

Check out her author page on Amazon.



For We Who love Our Critters


Uh-oh. One morning, Grace is walking crooked, head tilted, although the smile upon seeing you is always genuine. Then, there’s the staggering, that is laboriously righted because you are watching. When you sneak a peek, you see a furrowed brow and a distant look that might be pain.


Now, you are in a veterinary clinic. Grace cowers behind your knee—no excitement at new friends. There’s a waiting room and it’s filled with beings: humans and their nonverbal family members. The staff seems harassed, impatient and the wait to be seen has you shifting and looking, vigilant.  It is not a quiet place. By the time you both take some moments with the doctor, there’s lots of talk, a blood draw, a prescription; but Grace is still walking sideways, head titled. You are in an agony of helplessness.


But, what if when you went to seek help, the clinic is quiet; there’s a collection of pottery in a subtle and elegant display in a nook next to a large window. There are multiple examination rooms, doors closed discretely. This clinic is decorated in art, carefully collected pieces of furniture, of sculpture inside and out. A dog comes in, creamy locks wafting with a stiffly perky stride, and despite the taut leash, comes to greet you—you look into a worried face, slightly aged, with eyes that are beseeching. The humans tugs taut the tether, making boisterous sounds to the human receptionist.


This is the Chi University Small Animal Clinic in Reddick, Florida—although there are locations in Australia, Germany, Japan, on six continents, with the AI search note of “making TCVM [Traditional Chinese Veterinary Medicine] accessible worldwide”. This quiet place with sculptures and paddocks is a school where western-educated veterinarians get a Master’s Certification in Chinese medicine for our nonhuman compatriots. Located on a lovely, still-rural county road, the facility is run almost exclusively on solar power. There are 90 acres preserved as green space with minimally intrusive, but decidedly no-skimping building construction. There’s a separate building for horses, and plenty of room to swing a truck and trailer behind the covered arena and basketball hoop, and rarely is there not some gorgeous equine arriving or departing with a slight glow.


The Chi is, in undeniable fact, a world-class facility. Phone calls are handled off-site to maintain quiet and to “minimize stress in pets, owners and staff” according to the receptionist. It is intentionally a place of peace. Treatment utilizes the luxury of time. 


While Traditional Chinese Medicine might be utterly foreign in concept to many, it is a classical art, and as such has history, lineages, and complexities. All this is irrelevant to your unwell, nonverbal and potentially furry family member. For you, who loves and must pay the bill, TCM has many explanations. As a human who too has been schooled thoroughly in western thought , but who has found the seed of health by allowing acupuncture upon me, it is a remarkable experience in both personal body awareness and that too-rare sensation we have now of just taking some time being in our bodies and aware of it; the reality for all of our nonhuman companions.


Grace had continued to stagger sideways with a tilted head and what looked to be increasing nausea and vertigo after the chaos of the standard clinic experience. Despair haunted us. Then, fortune smiled in the form of Dr Xie, the founder of the Chi, who put gentle and deft hands upon her, began a single treatment of acupuncture while Grace seemed to be both watchful and dozing. Afterwords, she seemed very introspective, but her steps were steady—a respite of the crooked stagger and tilted head.  The next morning, she looked at me square on, and gave me a smile that glowed—glows in mind still—the glow of pure love.


Thursday, January 29, 2026

GAS Featured Poet: John Yamrus


John Yamrus is widely recognized as master of minimalism and the neo-noir in modern poetry. In a career spanning more than 50 years as a working writer, he has had nearly 4,000 poems published in books, magazines and anthologies around the world. His writing is often taught in college and university courses. Three of his more than 40 books have been published in translation.  2025 has seen the release of two new books: the quasi-memoir CAPTAIN BEEFHEART NEVER LICKED MY DECALS OFF, BABY and a book of poems, DON’T SHOOT THE MESSENGER: JUST GIVE HIM A GOOD PLACE TO HIDE.



the reading was a flop.  


we 

were 

up against 

a football game 

and the last nice day of the summer. 


hardly 

anyone showed 


and 

the wine 

and the cheese 

went to waste and 

the chairs were empty 


but the 

few of us 

that were there 

sat around in the gallery 


and the 

paintings on the walls 


spoke to us 


and 

taught us 

way more than 

any of my poems ever could.





he wanted to write 


like 

Hemingway,

but it came out 

sounding like bad Bukowski.  


on 

top of that,

he had nothing 

real or new to say, 

but that didn’t stop him 

from saying it again and again 


and again.





it was Tuesday, April 13th, and


Marcia 

was laying 

on the couch, 

listening to Dylan, 


but,

not really listening,

 because she was also reading a book,


and 

the sun 

was out and

the light coming into 

the room made her smile, 


especially 

when Dylan sang 

(maybe directly right at her) 


how does it FEEL? 


and 

she really 

didn’t know what to say, 


but 

she knew 

what he meant, anyway.




Thursday, January 22, 2026

GAS Featured Poet: William Doreski


William Doreski lives in Peterborough, New Hampshire. He has taught at several colleges and universities. His most recent book of poetry is Cloud Mountain (2024).  He has published three critical studies, including Robert Lowell’s Shifting Colors.  His essays, poetry, fiction, and reviews have appeared in various journals.



Astronomically 

 

Space contains us, but what space

contains space? Galaxies flirt

with our sense of great distance.

Whirling pools of silvery rage,

they tease us through telescopes,

 

daring us to imagine the void

into which the universe expands.

Hard to believe it began

as particles crushed together,

plotting to fill every corner

 

of the solid, absolute ether.

Dark matter whispers secrets

huge radio dishes strain to hear.

We try to place ourselves close

to the core of everything known,

 

but science puts us near an edge,

far from the primal explosion site.

You believe an entity did this,

but we are the entity, the mind

projecting brain waves further

 

than the laws of physics allow.

The night sky winks at us

but doesn’t see us winking back,

its absolute energy dispersing

more rapidly than we can think.

 


 

Forsaken For Good

 

The ruined church still mutters

blasphemous but heartfelt prayers.

These rise in gusts of oily smoke

but can’t penetrate the atmosphere

 

to reach the outer galaxies.

I’m afraid to enter that shell

of fallen plaster and broken glass.

The congregation abandoned it

 

when the organ exploded halfway

through everyone’s favorite hymn.

Brass shrapnel killed the organist,

the priest, and two communicants.

 

Their ghosts still pray for healing  

but no palpable entity hears.

If I entered and walked boldly

down the rubble-strewn main aisle 

 

the ghosts would probably hide

from my heavy atheist step.

But what if they appeared in raw

daylight and confronted me?

 

Someone said it’s impossible

to see a ghost and live. I fear

that I’d explode like the organ,

scattering bits of bone and flesh.

 

Better stand outside in the snow

and listen to garbled prayers

that might be the titter of mice

rummaging through the wreckage.

 

 

 

 



Thursday, January 15, 2026

GAS Featured Poet: Carl Carr Basile

 


Carl Carr Basile has been writing poetry since 1976. His work has been widely published in numerous ezines. Today he focuses his attentions on writing novels, short stories, and poetry, as well as taking occasional breaks to jam using his cornucopia of class guitars.



\*surfeit*\

prismatic tides

sun catcher

a chance to rise


sand sifter

lyric poetry and song

rondeau recitals


meditations


vanished glories

impenetrable themes


green shades of spring

creeks run deep

woods and grass

lily and violet


colors that surround


winged wandering feet

sweet breath

sun’s heat

whispering shadows


woodland cries

mythic lovers

twisted trails

desolate forest


blissful forgetfulness


ho vistouna lupa

sul sentiero




\*status quo*\

children

still play

in our streets

wiry boys

cute girls

bright smiles


sweet and friendly


i buy cold

lemonade

at

the girls’ stand

wave at them

as i pass


but now

a few years

past

lemonade stands gone

as they reach

pre-teen

to acknowledge

or wave

at them

makes me

suspicious


this unknowable

world

tips

and turns

tumbles and burns