Ensorcelled by the September 1955 mystical vinyl codex ‘a-wop-bop-a-loo-bop-a-lop-bam-boom’ at age eight, Andrew Darlington embarked on a lifetime quest to decipher the magical incantation’s profundity, traipsing in not entirely straight lines of zigzag wandering across decades of enchantment, yet is still no closer to the true enlightenment revelation must bring. As of now, the seeking continues across a proliferation of platforms, including EIGHT MILES HIGHER .
THE TIME HEELS/ INSANE NO MORE
the phases of the moon in 1907
the algorithms of butterflies,
a dialogue with the dead,
through an ambiance of bells
and birdsong in immaculate taste,
the faucet that drips and
the clocks that won’t tick,
where words are pictures in smoke,
and to say there is no choice is
a failure of the imagination,
for the moon is howling in the copse
and oblivion is calling my name
TO MOCK A KILLINGBIRD
it has presence
the soul of timber,
these trees contain
aspiration to be forest
to eclipse all other life
beyond the human flicker
untroubled by mind
not so much indifferent
as enduring in proliferation,
if I stand here long enough
they rise around and through me
if I don’t move they entwine
and suffocate me in leaves
rooting me hard into soil
ripping the grain of flesh,
replacing bone and sinew
to live a thousand years
in the migration of spores
in the slow soul of timber
INFINITE
it began on that first beach
it will end on that final beach
this continuity of frozen space
where time whispers echo in
every shiver and ripple of tide,
the grit of sand is lost lands from
imperceptible erosions counted
by the slow shift of constellations,
I stand beneath this storming sky
bare toes sandy and wave washed
and I feel it tremble into my soul,
this is the nexus where eternity
curves in upon itself, and stills
into a single endless now
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